Archive for the ‘Adrienne Goodenough’ Category

Doodling Butterfly by Adrienne Goodenough

Monday, February 1st, 2010
I had the privelege to see this butterfly in person at the recent CHA trade show in Anaheim California.  It was LOVELY and the picture just doesnt do it justice!  Adrienne shares her story below:

I made a friendly plastic butterfly for the AMACO butterfly competition - all the entries will go to the holocaust museum, each to represent a child who died. I had decided not to enter the competition, as I was very busy at the time, plus international postage is expensive. But somebody from AMACO emailed me and asked if I would submit an entry, which was flattering...


I made this in a bit of a hurry, and it's not as good as I would have liked, but I didn't have time to re-do it, so off it went! It was on display on the Amaco stand at CHA 2010!



The butterfly is about 4 inches across, and I used a colouring technique I learnt from Liz Welch - doodled alcohol ink. I didn't have time to take step by step pics when I was making the butterfly, but have included some from an earlier project (below) so that you can see how easy it is to do. To make the butterfly, I used 2 wing shapes cut from doodled sticks and a body made from a piece cut from a fuschia stick. I joined them all together by dipping the edges into hot water for a few moments then pressing them together and holding in position for a few moments. The antennae were made from copper wire.


To make doodled alcohol ink Friendly Plastic, take a stick of gold Friendly Plastic and drip some alcohol ink on it. The newer bright colours are good for this technique. You can blow the ink around using a straw if you like.
Keep adding aclohol ink. If you're blowing it with a straw, you will find that the ink you're blowing comes to a sudden stop when it touches dry ink. So, eventually you will have to drip or dab the ink into the gaps.This is what the finished piece looks like, along with the inks I used.Now take a white Sakura souffle pen, and draw around the blobs using wriggly lines, then infill with doodles, until the piece is doodled all over.
Easy to do, and looks very effective. Liz uses it to make beautiful pendants, by cutting it to shape and size and laying it into bezels, then covering with layers of resin and trapping doodles or tiny embellishments between the layers.




Linda Peterson is compensated and endorsed by AMACO. The guests features may or may not have any affiliation with AMACO.

Friendly Plastic Masks by Adrienne Goodenough

Thursday, December 31st, 2009
A little papermache mask form and a little friendly plastic is all you need to create beautiful masks. Adrienne Goodenough share's her technique:

My step daughter asked me if I could make a mask similar to the one I had made for my daughter:


but in greens.

A mask takes between 3 and 4 sticks of Friendly Plastic, so I checked my stash and found 2 iridescent green sticks and 2 gold. I cut one of the gold sticks in half and then cut each half lengthwise into 7 strips. I did the same with one of the green strips.


I have a paper mache mask form, which I covered in aluminium foil, so that the Friendly Plastic wouldn't stick to it.


I then set my melting pot to 140 degrees and filled it with water. I dropped a gold strip into the water, coloured side down, and after about 10 seconds I fished it out (using a wooden handled pointy tool), and laid it onto the mask form. I repeated with all my gold strips, until I had my mask base. I pressed the pointy tool into each joint as I worked, the joints are what holds the mask together and I wanted them to be as strong as possible.


I topped up the water, and repeated the process using the green strips, overlapping and joining onto the gold strips as I went.


Next, I put a green strip onto a piece of non stick craft sheet and heated it with my craft gun until soft. I pushed a cutter into the Friendly Plastic then dropped the craft sheet, plastic and cutter into a bowl of cold water. After 10 seconds I took it all out, removed the cutter, peeled the plastic off the craft sheet and used sharp scissors to separate the shape I had cut out from the plastic. I repeated with the green and gold until I had 6-8 shapes of each colour.


I heated the centre of the mask with my heat gun, just enough to make it tacky, then laid a shape at top centre, and continued heating until I could see the shape was soft. I pushed into the shape with the end of the pointy tool - this gave a 'crease' down the 'petal' and also pushed the shape firmly into the layer below, making a strong joint.

I repeated with more heat and more shapes until the mask was finished. You need to be careful not to apply too much heat at once, or the mask will melt so much that it loses definition and oozes off the foil...


Once happy with the mask, I left it to cool on the mask form for an hour or so, then just popped it off.


All it needs now is elastic!

Visit Adrienne's blog at www.adriennegoodenough.blogspot.com


Linda Peterson is compensated and endorsed by AMACO. The guests features may or may not have any affiliation with AMACO.